UPCOMING EXHIBITIONS


LEGACIES AND VISIONS

Tom Fecht: ORLO and ORLO REVERSED in collaboration with Linda Karshan (Piezo-Pigment prints 74 x 54 cm each)
Permanent Collection of The Fondazione Comel, Pisa since 2024

 

27 September – 6 October 2024

FROM COMEL TO KARSHAN
Masterpieces from the Collection Comeliana
Curated by Giulia Martina Weston

INSTITUTIO SANTORIANA
Via Cardinale P. Maffi. 48
FONDAZIONE COMEL
56126 Pisa, Italy

INCERTITUDES

INCERTITUDES

Tom Fecht and Arik Levy

Recent photographic work and sculptures
organized by Emma Nilsson

11 September – 15 September 2024

Opening hours during Berlin Art Week 11 – 15 September 2024
Wednesday 5 – 9 pm, Thursday & Friday 3 – 8 pm
Saturday & Sunday 11am – 6pm.
Exhibition visits outside the Berlin Art Week by appointment only at theguestroom@artistspress.eu

BEAUTY IN A WORLD ON FIRE

Rudolf Zwirner at Artists’ Press Berlin

Saturday 14 September, 4 pm

ARTISTS’ PRESS (Basel-Berlin-Geneva) and Rudolf Zwirner present
ON BEAUTY, a new publication featuring Agnes Martin’s iconic text from1989 in the handwritten original and supplemented by new translations.

Due to the limited number of places RSVP is requested at theguestroom@artistspress.eu

THE GUEST ROOM
Dresdener Strasse 10 – 1st floor
10999 Berlin

Website
Contact

FINNIS TERRAE

FINNIS TERRAE

THE BRIDGE, 2005. Silk-print 182x 265 cm

NEVER THE SAME WAVE

Photographic Silk Prints and Marine Miniatures
4 May – 30 June 2024
Galeria Bolsa de Arte
Rua Mourato Coelho, 790
São Paulo | SP
Brazil

6 July – 30 September 2024
Galeria Bolsa de Arte
Rua Visconde do Rio Branco, 365
Porte Alegre | RS
Brazil

Galeria Bolsa de Arte 
Contact
Website

1 November – 21 December 2024
Galeria Hugo França
Rodovia BA 001 s/n Trancoso/Caraíva
45818-000 Porto Seguro/BA
Brasil

Contact
Website


MUSEUM PRESENTATIONS

DeepTime / TiefenZeit

DeepTime / TiefenZeit

Incertitudes #4001. 125 x 210cm
Incertitudes #32001. 125 x 210cm

DeepTime / TiefenZeit – Tom Fecht

Permanent museum presentation including recent works
of the ECLIPSE and INCERTITUDES series
Museum DKM
Güntherstraße 13 – 15, 47051 Duisburg, Germany
Contact
Website

The DKM Foundation acquired a selection of 22 works by Tom Fecht now on permanent display as part of DKM’s contemporary museum collection. The English/German catalogue of the 2017 exhibition includes introductions by Siegfried Zielinski (ZKM) and Emma Nilsson, and an essay by Irmgard Benrieder (available at the museum shop)


RECENT MUSEUM ACQUISITIONS

Recent Museum Acquisitions

THE DKM FOUNDATION in Duisburg, Germany acquired a selection of 8 large format works by Tom Fecht in 2018, 2020, 2022 and 2024 the installation is on permanent display in DKM’s museum collection. An English/German catalogue includes a full documentation of Fecht’s solo show DEEP TIME (2017/2018) and an introduction by Siegfried Zielinski (ZKM) with texts by Irmgard Benrieder and and an essay Emma Nilsson; published in hardcover and available at the Museum.

Museum DKM
Güntherstraße 13 – 15, 47051 Duisburg, Germany
Website

THE NEW YORK PUBLIC LIBRARY acquired a selection of TIDES for the library’s collection of photographic prints (2019)

NYPL – Stephen A. Schwarzman Building
476 Fifth Avenue, New York, NY 10018, USA
Website

THE MUSÉE DES BEAUX ARTS DE LIEGE acquired Finis Terrae, (Into the Open), 1997 for its new exhibition site La Boverie as part of their contemporary collection (2018).

Musée des Beaux-Arts de Liège
En Féronstrée 86, 4000 Liège, Belgium
Website

Other museum collections with works by Tom Fecht include:

Neue National Galerie / Hamburger Bahnhof Berlin (SMPK), Germany
Haus der Geschichte der Bundesrepublik Deutschland Bonn, Germany
MuCEM – Museé National des Civilisations de l’Europe et de la Méditerranée Marseille, France
Museum Folkwang, Essen, Germany
Museum DKM, Duisburg, Germany
Karl Ernst Osthaus-Museum Hagen, Germany
Kunst und Ausstellungshalle der Bundesrepublik Deutschland Bonn, Germany
Leopold-Hoesch-Museum Düren, Germany


In times of uncertainty …

LUCIFER’s VORTEX

LUCIFER’s VORTEX

LUCIFER’s VORTEX / Back lit thermo-sublimation silk-print / dimmable LEDs on aluminium framing / 176 x 265 x 9 cm / Llimited Design-Edition of 3

LUCIFER’s VORTEX

Entre Chien et Loup / Two Soundtracks 90 sec. each

In times of uncertainty Tom Fecht invited the musician Hubert Neidhart and the duo Transhuman Art Critics for a collaborative experiment to expand the luminous momentum of this work into a photo-acoustic installation.

Both soundtracks seem to reflect the accelerating uncertainty of our times as much as they mirror the unique circumstances in which the violence of this marine vortex has been photographed on the wild Atlantic coast in Brittany, France. The phenomenon was furtively captured at dawn “entre chien et loup”, a magic twilight moment when the first blue rays of daylight intersect with the remaining reflections of the full moon. Performed on the turbulent surface of the sea, nature’s romantic rendezvous remains invisible to the naked eye. Lasting just 90 seconds, the sublime traces can only be captured by a camera.

• HUBERT NEIDHART is a composer, musician and graphic designer based in Basel, Switzerland.
Video (mp4) :

 

• TRANSHUMAN ART CRITICS is an audio-visual performance duo co-founded by Emma Nilsson and former Kraftwerk musician Emil Schult.
www.transhumanartcritics.com
Video (mp4) :

 


PAST

Tom Fecht

Tom Fecht

LUCIFERINE #2479, 2020. Unique Fine Art Piezo-Pigment-Print 107.5 x 78 cm

TOM FECHT

Solo exhibition – Unique vintage prints

15 September 2023 – 30 October 2023
Place du Général de Gaulle
06570 Saint-Paul-de-Vence
France

Podgorny Robinson Gallery
Contact
Website

LIQUID LIGHT

LIQUID LIGHT

Tom Fecht / Nicola Stäglich

17 November 2022 – 31 June 2023
8044 Zürich – Mommsenstrasse 18
7500 St. Moritz – Suvretta House – Via Chasellas 1
Switzerland

GALERIE ELLE
Contact
Website

PHOTO LONDON

PHOTO LONDON

ECLIPSE #7966, Unique Vintage print 180 x 295 cm

PHOTO LONDON

Tom Fecht & Massimo Vitali

10 – 14 May 2023
Somerset House
Strand, London WC2R 1LA / UK
GALERIE PODGORNY-ROBINSON
Contact
Website

ARTISTS OF THE GALLERY

Group Show

16 May – 16 Juilliet 2023
GALERIE PODGORNY-ROBINSON
Contact
Website

LANDS END

Tom Fecht- Unique Vintage Prints

12 September June – 15 October 2023
GALERIE PODGORNY-ROBINSON
Place de Gaulle
06570 Saint Paul de Vence / France
T: +33 9 81 18 88 27
M: +33 6 71 27 65 60
Contact
Website

GET TOGETHER

Group Show
13 Mars – 1 April 2023
BcmA Gallery
Manteuffelstr. 42
10997 Berlin
Contact
Website

PAD Paris

PAD Paris

Edition INFINITY
Still-Life Portrait Le Corbusier
29 March – 2 April 2023
Jardin des Tuileries – Stand n° 49

Galerie Downtown
Contact
Website

Tom Fecht Unique Vintage Prints

Tom Fecht Unique Vintage Prints

INCERTITUDE # 32002, 2022 (left)
Unique silver gelatin print on Baryta paper 218 x 138 cm

Tom Fecht

EAST MEETS WEST – Unique Vintage Prints

6 December 2022 – 18 February 2023
18 rue de Seine, 75006 Paris

Laffanour Galerie DOWNTOWN Paris
Contact
Website

INCERTITUDES

INCERTITUDES

INCERTITUDES

Unique vintage prints by Tom Fecht
Curated by Hubertus von Amelunxen and Rudolf Zwirner
Grunewalder Exhibitions, Conversations and Concerts
20 November 2021 – 31 Mars 2022
Galerie Rudolf Zwirner
14103 Berlin, Germany
(By appointment only)

LUCIFERs VORTEX

LUCIFERs VORTEX

Tom Fecht
LUCIFERs VORTEX
Night Photography
March 08 – September 05 2021

Museum DKM
Güntherstraße 13 – 15
47051 Duisburg
Germany

Contact
Website

CAMERAWORKS

CAMERAWORKS

Contemporary Photography by Elisabeth Brockmann, Peter von Felbert, Jens Heilmann, Tom Fecht, Achim Graf, Florian Thomas

4 June – 30 August 2020

GALERIE WITTENBRINK
Türkenstr. 16 – 80333 München
Germany

Contact
Website

NOMAD St. MORITZ

NOMAD St. MORITZ

FIGURINE (Gravitational Spin), 1999 / 2016
Silver gelatine on Baryta paper / UltraSec 127 x 100 cm

NOMAD St. MORITZ

Marine Miniatures and Unique Vintage Prints
6 – 9 February 2020
Chesa Planta
St. Moritz, Switzerland

Galeria Mercado Moderno
Rua do Lavradio, 66 – Centro
Rio de Janeiro
Brazil

Contact
Website

FOG Design + Art

FOG Design + Art

The Blue Hour, Photographic silk-print 120 x 350 cm
(from The West Pole series, 2010)

FOG Design + Art

15 – 19 January 2020
Fort Mason Festival Pavillion
San Francisco
USA

Galeria Mercado Moderno
Rua do Lavradio, 66 – Centro
Rio de Janeiro
Brazil

Contact
Website

APLOMB

APLOMB

TIME II (Triptych) / Unique silk prints 150 x 265 cm each
Thermo-sublimation prints on aluminium framing

APLOMB

Hugo Franca meets Tom Fecht # I
Photographic silk prints and Sculpture curated by Mírian Badaro

Galeria Bolsa de Arte
7 November – 24 January 2020
Rua Mourato Coelho, 790
São Paulo | SP
Brazil

Contact
Website

DARK MATTERs

DARK MATTERs

Eclipse # 8078, 2016. Unique silver gelatin print/UltraSec framed 185 x 300 cm

TOM FECHT

Unique Vintage Prints
14 September – 17 November 2018

GALERIE WITTENBRINK
Türkenstr. 16 – 80333 München
Contact
Website

ELECTRIC CINEMA – The Complete Series

ELECTRIC CINEMA – The Complete Series

Galerie Laffanour DOWNTOWN Paris presents
Unique vintage prints by
TOM FECHT

9 Avril – 2 Juin 2018
CHÂTEAU SIRAN
13 Avenue du Comté Lynch
33460 Bordeaux-Labarde
France
Monday-Saturday 10am-1pm & 2-6pm
and by appointment

Contact

DeepTime / TiefenZeit

DeepTime / TiefenZeit

Time, 2016. Triptych 190 x 1200 cm / Unique c-prints 185 x 295 cm each (Eclipse #8088, #8089, #8090)

DeepTime / TiefenZeit – Tom Fecht
Solo Exhibition – May 5 2017 to April 8 2018 (prolonged)

Museum DKM
Güntherstraße 13 – 15, 47051 Duisburg, Germany
Contact
Website

ARTIST TALK

18 November 2017 4 – 6 pm

DeepTime
On Uncertainty – Hubertus von Amelunxen* and Tom Fecht in conversation

* Walter Benjamin Chair, Professor of Philosophy of Photography and Cultural Studies. President of The European Graduate School, Saas-Fee/Switzerland and Valletta/Malta.

Museum DKM Duisburg in collaboration with SETAREH GALLERY Düsseldorf
Güntherstr. 13-15, 47051 Duisburg, Germany
R.S.V.P.
Hubertus von Amelunxen on Wikipedia

COLOR MARKS and DARK MATTERs

2017 European Conference – Color Marketing Group
Valencia, Spain May 17-19

Expanded Lecture by Rozbeh Asmani and Tom Fecht

The expanded lecture investigates properties of color invisible to the naked human eye.
Black will be the point of departure to explore the invisible aspects of color embracing an unexpected fan of artistic and scientific points of view.

read more

Résumé

COLORMARKS and DARK MATTERs

Expanded Lecture by Rozbeh Asmani and Tom Fecht

The expanded lecture investigates properties of color invisible to the naked human eye. The relationship of color control and power will be Rozbeh Asmani’s point of departure to explore the invisible aspects of color embracing an unexpected fan of artistic strategies interacting with economic, social and scientific points of view. But the invisible aspects of color will be simultaneously explored in very opposite directions. The lecturer’s discourse will expand into an unexpected dialogue without warning: From the monochrome depth and diversity of natures burning blackness towards the cool aesthetics of industrial color monopoly and corporate brand communication.

Black as a color includes a vast spectrum of contemporary shades combined with a high charge of cultural codes and transformative meanings. As a non-color black seems to share it’s profound magic with the unknown while giving a household name to astronomy’s black matters. There seems to be no accident, that the most recent scientific proof of existence for Dark Matter reanimated phantasies around the globe. This will be the context introducing DARK MATTERs by German photo-artist Tom Fecht. The umbrella term covers a recent body of marine night photography that investigates notions of color, time and space while reminding us that over 95% on the universe remains unknown Dark Matter. These minimalist works cross the line between the physical world and the invisible, magic part of our universe while pushing photography to the edge of quantum physics. Expanding the color-limits of the night became the artist’s photographic signature; exploring light beyond the visible spectrum created his photographic brand.

COLORMARKS by Iranian artist Rozbeh Asmani is the outcome of an on-going research into the field of color trademarks registered at the German Patent and Trademark Office. The silk screens and digital C-Prints explore a specific range of colors protected by trademark law in their respective fields of usage: The yellow- green color design of gas stations owned by an oil multinational as well as the brown van and overall of a global courier or the dark-blue round of a skin crème box. One glance is often enough to remind us not only of the very trademark, but also of our daily encounter with these products and services. Asmani’s work visualizes the impact of color monopoly on our collective memory when used exclusively by corporations as part of their brand identities. Confronted with the question what these colors stand for our attention is drawn towards industrial complexity linking color, power and memory.

The research of both artists spotlight the transformation of contemporary color skills in art and photography and stimulate an innovative perspective on color-mapping and invisible color ownership. But the usage of color and non-color in contemporary artistic practice is also part of a much larger global discourse raising profound questions, if any substantial difference between culture and nature can be further maintained.

www.rozbehasmani.de
www.tomfecht.com

The presentation is primarily based on a visual dialog co-delivered by Mr. Fecht and Mr. Asmani.

GRAVITY FIELDs

GRAVITY FIELDs

Unique Vintage Prints by Tom Fecht
7 April – 26 Mai 2017

SETAREH GALLERY
Hohe Strasse 53, 40213 Düsseldorf, Germany
Contact
Website

TEFAF Maastricht 2017

Electric Cinema, 2017. Silver gelatin print/UltraSec 100 x 300 cm

ELECTRIC CINEMA – New vintage prints by Tom Fecht
10 – 19 March 2017

Laffanour Galerie DOWNTOWN Paris (Stand 605)
Contact
Website

Magic Moments

Magic Moments

Magic Moments, exhibition views

2 May – 1 September 2016

Château Palmer, 33460 Margaux, France
Contact
Website

Curated by Galerie Anne-Laure Jalouneix
Contact

Prouvé – Takis

Prouvé – Takis

Tom Fecht: Portrait Vassilakis Takis, Athens 2012.
Chromogenic color print, UltraSec 50 x 130 cm.

Collection François Laffanour
21 April – 23 July 2016

La Patinoire Royale, Rue Veydt 15 – 1060 Brussels, Belgium
Website

Laffanour Galerie DOWNTOWN Paris
Contact
Website

Tefaf Maastricht 2016

Tefaf Maastricht 2016

TEFAF 2016, exhibition view
TEFAF 2016, exhibition view
TEFAF 2014, exhibition view
TEFAF 2014, exhibition view
Porträt Gisèle Freund, 1999. Chromogenic color print, UltraSec 120 x 147 cm

ECLIPSE – unique vintage prints by Tom Fecht
10 – 19 Mars 2016

Laffanour Galerie DOWNTOWN Paris (Stand 605)
Contact
Website


PUBLICATIONS

Hans Belting: Gisèle Freund en face
English   Français   Deutsch

Irmgard Bernrieder: Gravity Fields
English Deutsch

Ute Guzzoni: Finis Terrae – Into the Open
English   Français   Deutsch

Hans Irrek – Dark Matters

Siegfried Zielinski: DeepTime
English Deutsch

Tiefenzeit / DeepTime

Tiefenzeit / DeepTime

Dirk Krämer and Klaus Maas (ed.): Tom Fecht at Museum DKM, Duisburg 2019.
Exhibition catalogue. Introductions by Siegfried Zielinski and Emma Nilsson.
Essay by Irmgard Bernrieder.
ISBN 978-3-942650-13-7 (German/English edition / hardcover)

Michael Petry: The Word is Art

Michael Petry: The Word is Art

Tom Fecht: Homage – Names and Stones, in:
Michael Petry: The Word is Art
Mémoire nomade – Documenta IX, Kassel 1992
(by courtesy of Documenta Archive Kassel)
Thames & Hudson, London 2018
ISBN: 978-0-50-023966-7

ECLIPSE – 25 unique vintage prints

ECLIPSE – 25 unique vintage prints

ECLIPSE

25 unique vintage prints

With an essay by Hans Irrek and published by Laffanour Galerie DOWNTOWN, Paris 2015. Hardcover 80 pages 26.5 x 36 cm ISBN 978-2-9520349-4-4 (available at the gallery)
Website

About the author: Hans Irrek is a German essayist and curator; he studied art history, aesthetics and philosophy. His publications on photography and art and design classics include essays on Andreas Gursky, Axel Hütte, Mikael Olsson, Isamu Noguchi, and Oscar Niemeyer. He is a member of the advisory board of the Photo Book Museum, Germany

ON SIGNATUREs

ON SIGNATUREs

Tom Fecht in: Arik Levy FIXING NATURE, Paris 2016

“In everyday life, a SIGNATURE simply certifies the authenticity of a document or a work of art bearing the unique fingerprint of the artist and helps to identify his vision. But the origins of the term point us further to the SIGNS OF NATURE requiring knowledge about the NATURE OF SIGNS as reassembled in natural science. Here the potent simplicity of FixingNature becomes as challenging as its evolutionary matrix and spatial complexity. Nature as we see it, is a product of culture: as a matter of fact, nature, understood as a projection of human imagination, can be creatively manipulated and re-arranged. After all is it not a given, that any difference between nature and culture can no longer be maintained? Nature and culture seem to be the two extremities of an infinite Möbius loop where both sides are bound to become the very other. There might not be any clear traces left of the beginning – but quite certainly there is no end.

Flusseriana – An Intellectual Toolbox

Flusseriana – An Intellectual Toolbox

Tom Fecht: Mirror and Transformation
Contributing to: Flusseriana – An Intellectual Toolbox
Edited by Siegfried Zielinski and Peter Weibel
ZKM Center for Art and Media, Karlsruhe and Univocal Publishing
University of Minnesota Press, Minneapolis 2015
ISBN 9-781937-561529 (English-German-Portuguese edition)

Refocusing the Euclidian Horizon

Refocusing the Euclidian Horizon

Tom Fecht: Refocusing the Euclidian Horizon (including illustrations from the night series Electric Cinema) in: The Cornell Journal of Architecture #9: Mathematics, Ithaca, New York 2014 pp. 4 – 16.
ISBN 978-0-9785061-2-4

Download PDF

STILL AVAILABLE

Umzug ins Offene

Umzug ins Offene

Tom Fecht and Dietmar Kamper (ed.): Umzug ins Offene – Vier Versuche über den Raum
(Movement into the Open – Four Studies on Space). Springer Verlag Wien New York, 2000
ISBN 3-211-83476-1

en face

en face

Gisèle Freund photographiert von Tom Fecht
Museum der Dinge – Werkbundarchiv
Exhibition catalogue Martin Gropius Bau, Berlin 2001
Edition of 500 numbered copies

Namen und Steine

Namen und Steine

Tom Fecht – Namen und Steine, Mémoire Nomade. Edited by Ulrich Heide and Dietmar Kamper. Cologne 1993, Bonn 1998, Springer Verlag Wien New York, 2001

Other

Monika Haag/Mark Woodmann: The Blue Connection, Basel-Berlin-Geneva 2022
Marcus Loeber: Change, Hamburg 2022 (CD Cover)
Erwin Wortelkamp: Kunst trägt sich und uns, Köln 2021
Michael Petry: The Word is Art, London 2018
Hubert Neidhart: Sister Moon, Basel 2018 (CD Suite in 5 Faces)
Vivo A Beira, http://www.vivoabeira.org/, Paris/São Paulo 2/2017
Soundings, L. Karshan-C.Richardson, Satellite Berlin 5/2016
Crash, Paris 10/2015
Jean Atali Retour de Mer, Editions Dilecta, Paris 2014
Inventario, Milano 7/2014
Kunstforum International Vol 220 1/2013
GoGolobal Rural-Urban, London/Beijing 4/2012
selected views 12/11
Le Monde, Paris 6/11
Top Basel, 1/11
Ouest France, Rennes 7/10
Le Télégramme, Morlaix 7/10
FAZ, Frankfurt 10/09
Channel Thirteen, NYC 1/09
Les Conférences de Malaquais, Paris 10/08
The New York Times 9/08
Morgenbladet, Oslo 8/08
EQULIBRIUM, London 3/08
AXIS, Tokyo 10/07
Design, Beijing 6/07
Performance Research: On Beckett, Devon 3/07
Menschen, Bonn 1/07
O Globo, Rio de Janeiro 10/06
AXIS, Tokyo 10/06
The New York Times 8/06
Dialogue, Taiwan 3/06
new design, London 2/06
BLUEPRINT, London 1/06
Pure PSP, UK 1/06
Edge 1/06
Dialogue, Taiwan 12/05
DIE ZEIT, Hamburg 12/05
The Inquirer 11/05
Bladid, Iceland 11/05
BLUEPRINT, London 9/05
bob, Graz 1/05

UNIQUE PRINTS POLICY

Installation view of Eclipse #8090, 2013 and The Wave by Gustave Courbet, 1870
(Retour de Mer, Musée des Beaux Arts – LAAC, Dunkerque, France 2014)

Re-evaluating my work in 2012, I have decided to avoid the comfort of repetition. As of 2013 every new photograph is limited to one print so that each image remains as unique as the moment it captures. In addition I will retain one artist proof (AP/EA) for my own reference and/or exhibitions. Editions prior to 2013 will be either sold through or discontinued.